Thursday, 4 October 2012

Shoot Low-Light Photography Like A Pro. Plus: The Month's Best Reader Photos

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PopPhoto
October 04, 2012
Breaking news from America's top photo magazines
PopPhotoAmerica Photo
The best reader-submitted photos of the month
Our Your Best Shot contest has been going for years now, but the entries continue to be impressive. This month's submissions range from sweeping landscapes to unique portraits. The final winners of this month's contest will be revealed in a future issue of Popular Photography.

We talk to four pros who thrive in the shadows, creating brilliant images
Bigger, Faster, and more connected than ever
We promise: No Cheesy filters or photos of lunch


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TECH SUPPORT
Push Or Shove

Q. In your reviews of the Canon 5D Mark III and Nikon D800, I was surprised at the lengths your reviewer goes to discuss the noise in these models at ISO 12,800 and up. I guess I’m old-school—started with film and Acufine in the 1970s, when pushing film 4 stops was considered radical, albeit often necessary. So, given a “normal” ISO of 100, I typically push my speed with my digital cameras to around 800 (3 stops) or 1,600 (4 stops), but never anywhere in the range of 25,000. I just don’t foresee myself shooting at these high ISOs simply because the lighting isn’t what I need. Am I looking at this the wrong way?

A. We agree that photographers should boost ISO no more than necessary to get the image they want; we discuss noise issues so that people can make informed decisions on the best settings to use. But note that DSLR makers have made astounding advances in noise suppression at stratospheric ISOs. So much so that we’d say that images captured with a Mark III at ISO 102,400, converted to B&W, would have finer grain than Tri-X push-processed 4 stops to ISO 3200.



 
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