Thursday, 17 November 2011

Photographing Extreme Sports With a Chest-Mounted DSLR

PopPhoto
November 17, 2011
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Helmet cams have nothing on a full-blown DSLR strapped to the chest of an athlete

Helmet cams are a great tool, but when it comes to image quality and available controls, they can't come close to a good compact camera, let alone a full-blown DSLR. That's why photographer Justin Olsen decided to create a custom rig for his own big boy cameras and then head out to the mountain bike trails to capture some truly exciting images of the sport.

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Exclusionary Optics
Q. What happens if a digital-only lens is used on a film camera?

A. It will explode. (Just kidding.) Digital-only is a confusing term that, happily, is falling into disuse. Digital SLRs with smaller-than-full-frame (e.g., APS-C) sensors can use lenses that project a smaller image circle than those designed for use on full-frame cameras. Early on, they were dubbed digital-only to set them apart. Today we call them APS-C lenses after the sensors they’re made for.

An APS-C lens on a full-frame camera, film or digital, tends to produce serious vignetting because its image circle can’t cover the entire frame. Canon prevents this by making its APS-C lensmount (designated EF-S) incompatible with its full-frame DSLRs. With Nikon APS-C lenses (designated DX) on a full-frame Nikon DSLR, you can switch the camera to DX mode to crop out the vignetting. Going the other way, full-frame lenses work fine on both APS-C and full-frame bodies.


 
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