Thursday, 3 November 2011

21 Tips For Better Flash Photography

PopPhoto
November 03, 2011
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These simple tips and techniques will help you take your lighting to the next level

We maintain that the single most important accessory for your DSLR is a full-featured TTL flash unit. With “lightning in a bottle,” you can freeze action solid, mimic studio lighting, tame harsh midday sunlight, balance (or unbalance) the color in a scene, and produce wild and weird effects—with no software required. Here we present a primer on portable flash theory and practice.

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Use these third-party modifiers to get the most out of your hotshoe flashes
Shoe-mount flashes offer an incredibly versatile, powerful and effective lighting solution (not to mention affordable)
What will work best for you when you're trying to get your flash off of your camera?


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TECH SUPPORT
Reflexology
Q. Based on your review, the new Sony A77 sounds like a terrific camera. But its design raises questions: The OLED finder sounds excellent, but if there is no optical viewfinder why does the camera need a mirror at all? And, the very definition of a “reflex” camera implies that the user is sighting through an optical path that reflects off a mirror; if that is no longer what is happening, is it correct to call this camera a “DSLR?” Is it time for a new camera designation?

A. The reflex mirror in modern single-lens reflexes, both film and digital, does more than reflect the image up to the prism viewfinder assembly. It also directs light to metering and phase-detection autofocusing modules. In the Sony A77 and its ilk, a fixed, transmissive mirror is used solely for AF and metering. This allows the camera to focus continuously during fast bursts and video capture, as the mirror stays put.


 
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