Friday, 25 November 2011

Your American Eagle Outfitters Receipt

American Eagle Outfitters | ae.com
               Square One Mall         Route 1 South - 1277 Broadway             Saugus, MA 01906-4177             Tel: (781) 233-5404 ------------------------------------------- STORE: 00349       REGISTER: 004 CASHIER: CR66 ASSOCIATE: 00000000066 ------------------------------------------- MENS F CORE FLEECE               39.50 N       000018095976                                 Return Price 1 @ 23.70 ------------------------------------------- TRANSACTION DISCOUNTS  AEGREENWKND40%   Sale: 39.50 - 15.80 (40%) ------------------------------------------- SUBTOTAL                             23.70  TOTAL                                23.70  -------------------------------------------         ***   YOU SAVED 15.80   *** ------------------------------------------- AMOUNT TENDERED CASH                                100.00  TOTAL PAYMENT                       100.00  CHANGE                               76.30  ------------------------------------------- Transaction: 27943       11/25/2011 3:37 AM -------------------------------------------           Tell us what you think!         Get 15% off to use at AE or         ae.com when you give us your         feedback at www.ae.com/tellus             within the next week.                 Must be 13  -------------------------------------------             Shop online @ ae.com                     
0279430034900411252011
5RY7A001E5RY7T7F1C3V6K3UO
AE RETURN POLICY
If you are not completely happy with a purchase, just return it for an exchange or full refund. Returns with a receipt will be refunded in the manner in which the original purchase was made. Returns without a receipt are exchangeable for merchandise or an AE Gift Card in the amount of the current selling price.
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Thursday, 24 November 2011

Software Workshop: Creating a Compelling Photo Composite

PopPhoto
November 24, 2011
Breaking news from America's top photo magazines
PopPhotoAmerica Photo
How To combine multiple shots into a seamless whole

In 2009, Dario Acosta, a New York photographer of opera singers, wanted to diversify his portfolio with a series of hard-edged portraits, which he titled "3 A.M. Moto." Its subjects: bad-news bikers in sinister, after-dark settings. "It was fun, but I couldn't work at night and get the sharpness I wanted," he says. "I had to shoot the models and backgrounds separately and combine them in Adobe Photoshop."

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How good is the new iPhone's camera? We tested it against some older phones and a few compacts
Dave Tunge documents work sites and landscapes from high above
See all the winner's from our monthly magazine contest


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Photo Glossary
Q. What does it mean to "drag the shutter"?

A. Dragging the shutter is a flash exposure strategy in which a photographer manually sets a relatively slow shutter speed (usually 1/8 to 1/30 sec, depending on the scene), this technique produces more background detail in a scene than typical automatic flash exposures record. Dragging the shutter is often employed by event photographers in dimly-lit indoor settings with relatively stationary subjects, and it relies on the instantaneous flash burst to freeze a subject sharply. (Without the flash, any subject or camera movement would produce objectionable blur at these shutter speeds.)
With a TTL- dedicated flash system, the camera's meter will automatically produce the correct exposure for the flash-lit foreground subject. To determine what shutter speed to set for the background, meter it and set the shutter about about a stop faster. With brightly lit backgrounds or animated subjects, watch out for ghosting.


 
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Thursday, 17 November 2011

Photographing Extreme Sports With a Chest-Mounted DSLR

PopPhoto
November 17, 2011
Breaking news from America's top photo magazines
PopPhotoAmerica Photo
Helmet cams have nothing on a full-blown DSLR strapped to the chest of an athlete

Helmet cams are a great tool, but when it comes to image quality and available controls, they can't come close to a good compact camera, let alone a full-blown DSLR. That's why photographer Justin Olsen decided to create a custom rig for his own big boy cameras and then head out to the mountain bike trails to capture some truly exciting images of the sport.

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No knowledge of photography? No problem. We've got you covered with 8 great gift ideas
A project titled, "Photography in Abundance" fills several room with prints
Pro photographer Ryan Matthew Smith explains how he got this sizzling shot


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Exclusionary Optics
Q. What happens if a digital-only lens is used on a film camera?

A. It will explode. (Just kidding.) Digital-only is a confusing term that, happily, is falling into disuse. Digital SLRs with smaller-than-full-frame (e.g., APS-C) sensors can use lenses that project a smaller image circle than those designed for use on full-frame cameras. Early on, they were dubbed digital-only to set them apart. Today we call them APS-C lenses after the sensors they’re made for.

An APS-C lens on a full-frame camera, film or digital, tends to produce serious vignetting because its image circle can’t cover the entire frame. Canon prevents this by making its APS-C lensmount (designated EF-S) incompatible with its full-frame DSLRs. With Nikon APS-C lenses (designated DX) on a full-frame Nikon DSLR, you can switch the camera to DX mode to crop out the vignetting. Going the other way, full-frame lenses work fine on both APS-C and full-frame bodies.


 
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Thursday, 10 November 2011

The Year's Best Photo Gear: 2011 Pop Awards

PopPhoto
November 10, 2011
Breaking news from America's top photo magazines
PopPhotoAmerica Photo
We honor this year's very best, most influential and all around coolest gear

They help you make better pictures, solve multiple problems, and put more fun in your photography. They are Photography’s Outstanding Products for 2011, and every one has been lab and/or field tested by our thoroughly picky editors (our reject list is long). And we have a strong feeling you will love them as we do.

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Get an idea of what you'll see if you stick Canon's fisheye zoom lens on your camera
The newest member of the G-series has a 16-megapixel sensor and a 3-inch touchscreen
An awesome DIY camera rig produces incredible results


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Diffraction Reaction
Q. Years ago, the majority of the lens tests published in photo magazines would report the aperture by which the lens being tested became “diffraction- limited.” As the diaphragm was closed down, image degradation due to diffraction increased, and at some point, image degradation was due mostly to diffraction, and therefore the image quality had become diffraction- limited. I have noticed that lens tests no longer report the aperture by which the tested lens became diffraction-limited. Why is that?

A. You can easily discern diffraction effects on image quality in the SQF charts in our lens tests. SQF scores typically peak at mid apertures, then decline as diffraction takes its toll. If you turn an SQF chart sideways (counter-clockwise) the chart will form a classic bell curve, with the peak near the center, and dropping off to either side. As this degradation occurs along a continuum, it makes little sense to state one single aperture at which image quality is diffraction-limited. Better to use our SQF scores to determine optimal apertures based on the kind of photography you are doing, the depth of field you need, and the intended degree of enlargement.


 
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