| December 20, 2012 Breaking news from America's top photo magazines | | | | Our readers wowed the judges with thousands of great images From the shores of South Africa to a basement in Lincoln, NE, you, our readers, found beautiful images wherever they lurked. Whether the subject was glamorous and exotic or simply a collection of household items, this year’s submissions impressed our editors enough that we had a very hard time picking our finalists. |
| | Winky Lewis, one of the nations best children photographers, shares her secrets | | We surveyed a panel of editors and photographers on their most memorable photos of 2012 | | Enter for a chance to be printed in the pages of Popular Photography | Be the first to hear about new stuff on PopPhoto.com by subscribing to our revamped RSS feed! | | | TECH SUPPORT Why are Midrange Apertures Sharper? Judging by reader mail, there’s still some confusion out there about aperture selection and image sharpness. While smaller apertures (e.g., f/22) produce deeper slices of sharpness from front to back, the central focused-upon subject of your picture will usually always be sharper when captured by an intermediate aperture (e.g., f/8). Why? Because of diffraction. When light rays strike an object, such as the diaphragm blades of a lens, the rays tend to bend or diffract, an action that adversely affects sharpness. When you set your smallest aperture, a greater percentage of all the light rays transmitted through the lens are diffracted, resulting in a subject that’s relatively fuzzy compared to what’s possible with the less-diffracted rays typical of wider apertures. | | |
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