Thursday, 10 February 2011

New Cameras: Canon T3i/T3, Nikon P300 and More!

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February 10, 2011

Breaking news from America's top photo magazines

From the Forums: What exactly are Micro Four Thirds cameras?
Our readers share their thoughts. Join and Contribute!

Popular Photography American Photo

New Gear: Canon T3 and T3i Entry-Level DSLRs
Canon offers beginners more options with updates to their entry-level DSLR-line.


New Gear: Nikon Coolpix P300 Features F/1.8 Lens
Nikon’s new advanced compact takes aim at Canon's S95 and Panasonic's LX5.



New Gear: Pentax’s Newest Line of Ruggedized Compacts
The Optio WG-1 and Wg-1 GPS are the closest to ‘everything proof’ you can get.



Gallery: American Photo, a New View of Duck Hunting
Dave Jordano uses the frozen Mississippi as a daylight studio.



Photo of the Day

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The RAW Truth

Q. I shoot with a Nikon D70s and a Canon PowerShot S95, and I use Elements 8, Lightroom 1, Photoshop CS4, and Canon Digital Photo Professional to edit. I shoot only RAW, but no single program will recognize both RAW formats, causing me to jump from one program to the other. Would I be better off converting the Canon CR2 and Nikon NEF files to TIFF immediately after importing photos?

A. You have the classic problem: new camera, old software. For $99 you can upgrade to Lightroom 3. The newer version has better RAW processing, will handle images from both cameras, and will allow you to import your converted shots straight into either Elements 8 or Photoshop CS4. Want a free solution? Download the latest version of Adobe’s DNG converter, and convert your S95 shots to the universal DNG format. They’ll still be RAW, and you can process them in any of your present image editors.


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Thursday, 3 February 2011

The Lenses Pro Photographers Can't Live Without and More!

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February 3, 2011

Breaking news from America's top photo magazines

From the Forums: What’s the best way to diffuse light from a built-in pop-up flash?
Our readers share their thoughts. Join and Contribute!

Popular Photography American Photo

The Lenses Pro Photographers Can't Live Without and More!
We asked four pro photographers what their go to glass is.


How To: Make an Easy Abstract Photo
Creative ideas are close at hand.



Gallery: Pop Photo's Monthly Showcase
Check out the very best images shot by our staff.



Lens Test: Sigma 70-200 f/2.8 EX DG OS
New flagship glass for Sigma is pro ready.



Photo of the Day

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TECH SUPPORT

Burst or Bust?

Q. Could you explain why burst rate matters? I was taught (on a film camera) to anticipate the peak of the action. It takes practice, familiarity with the subject, and planning, but is not difficult. Burst shooting seems to be nothing more than blasting away and hoping that something good will happen—and the odds are not favorable. With a shutter speed of 1/500 sec and a burst rate of 10 frames per second, the chances of capturing the peak of the action are 1 in 50. As few cameras can shoot 10 frames per second, the odds are typically worse. Burst rate seems to me a useless statistic, substituting numbers for substance.

A. We agree wholeheartedly that photographers should learn to time their trigger fingers, but a fast burst rate can be a real assist for action shots. And while your math is impeccable, it’s misleading—many “peaks” occur in a slice of time longer than 1/500 sec. With very fast motion (race cars, for instance) a photographer can pan with the motion and effectively enlarge the time window. What constitutes the peak, anyway? It’s not hard to anticipate a slide tackle in soccer, but the resulting tumble is so unpredictable that you can’t know when best to press the shutter. Then there are plays with multiple dramatic events, such as the infamous “Immaculate Reception” of the 1972 AFC football divisional playoff.


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Disclaimer: The opinions expressed here are those of the sponsors and are not an endorsement nor do they reflect the opinions of Bonnier Corporation or any of its publications.